From Black Dog Productions, In An Endless Garden is a compassionate look at the relationships of a woman who finds herself lost in a strange, beautiful, ever growing garden, and how they make her who she is. For this performance I was asked for a soft, minimal underscore as well as some natural audio soundscapes. […]
The spiritual successor to There’s Nothing There, The White Heart Inn tells the tale of a haunted B&B, owned and operated by Hector and Bethel, two eerie siblings who harbour a dark family secret. I provided a brief synth based score for the promotional video (https://www.facebook.com/apricitytheatre/videos/598183561219490/), and although no score was needed for this performance, […]
A web series by Greedy Pig Theatre Company, each episode features one of five students retelling their part to play in the death of their flatmate, with an insight into whether they are being honest or dishonest. For this production I produced a techno like beat for the introduction, as well as ambient and evolving […]
My first time composing for theatre, Metamorphosis proved to be one of my most fulfilling comissions. Produced by Beyond The Horizon Theatre Company, The play toured nationally and was well recieved. Adam Lloyd-James starred in and directed alongside Matlida Dickinson, both of whom I corresponded with when discussing the project and what they wanted from […]
A collaberative project by Black Dog Productions, Dumb Blonde Productions and Apricity Theatre, There’s Nothing There is a twisted mix of horror/dark comedy, centred around a group of friends on a holiday in a dark cabin in the Black Forest in Germany, who’s jovial time away from home takes a quick turn to panic and […]
Apricity’s Open Mic was a performance centred around Lottie, a singer choked by her anxieties, who battled with her mental illness throughout the play. The brief called for a fairly minimal soundtrack that would hold its own in both traditional theatres as well as more improvised pop up performance spaces, consisting of 3 main sections […]
A new take on Shakespeare’s ‘Henry V’ showcasing the darker side of the British King’s campaign of war, highlighting the trauma and horror it caused, The Breach was set in a post-apocalyptic not too distant future, grimy and industrial, which Director Charlotte Turner-McMullen wanted reflected in the sound design. The brief was to provide a […]
After our dissertations had been handed in and we waited for our grades at the end of third year, Theo Cockrean and Imogen Starr both decided to ‘make hay while the sun shines’ and head out into the Cornish thicket to shoot a short film, centred around Imogen performing a short piece of choreography. Composing […]
I was approached by Jack Brookman at Falmouth University to compose for his final submission piece in third year, wanting a synth heavy yet sublte score. I had a lot of fun experimenting with Ableton 9’s FM syntherizer Operator, creating some wilder patches then reining them in with some hard cut EQing and filtering. I […]
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